Ok that makes sense now. Yes the
EVO II 6K does offer HDR video in a format called HDR10 (vs HLG, HDR10+, Dolby Vision, etc.). The catch is you can only use it when the exposure mode is set to auto which of course is an awful combination. If you are shooting HDR you want the absolute highest quality available and the last thing you want is your exposure changing uncontrollably mid clip.
Fortunately it is not all bad news; you can just as easily shoot in 10bit ALOG (4K30FPS) and simply convert to HDR10 color space in your NLE. With this approach you get the benefits and consistency of manual exposure along with the dynamic range and color space of HDR10.
With that being said, the HDR workflow is not even close to worth it in my book. I have never shot or edited HDR footage simply because my clients aren't willing to pay for the extra work not to mention to color grade HDR footage properly you need an HDR monitor and the only people that would be able to view the additional HDR color space would be people with HDR devices.
I always keep in mind the fact that I am not shooting the next Hollywood blockbuster and instead am shooting footage that will mostly likely never leave YouTube and will also most likely be viewed on a 5" cell phone screen.
For photography, the
EVO II 6K (as far as I know) only offers AEB which is a fancy way of shooting 3 or 5 shot bursts of images with over/under EV values that you can then combine later in the editor of your choice. IMO both methods of increasing the dynamic range of the drone footage is overkill and not worth the additional work for 99% of the content produced by drones.